4x18 - Show of Horrors, Part I

[Prue Brianna Johnna Halliwell]

DESTINED

'SHOW OF HORRORS, PART I'

TEASER

BLACK SCREEN.

IT READS:

SAN FRANCISCO, 2014

CUT TO:

OVER BLACK.

FADE IN:

EXT. HALLIWELL / COOP MANOR – NIGHT - 2014 (FLASHBACK)

STOCK.

CUT TO:

INT. HALLIWELL / COOP MANOR – PRUE’S BEDROOM – NIGHT – 2014 (FLASHBACK)

ON – 7 years old Prue, asleep in her bed. She seems like she’s having nightmares. She moans like she’s suffering.

OFF TO THE ENTRANCE – The door opens and Phoebe, wearing a night dress, comes in with a glass of milk.

Phoebe walks quickly towards her daughters’ bed and puts the glass on the bedside table. Then she tries to wake her up.

PHOEBE

Prue?

Phoebe is kindly trying to wake her up.

PHOEBE (CONT'D)

Ladybug?

Suddenly, Prue gets into a sitting position. Her eyes wide open. She's all sweaty. Prue sits beside her and tries to calm her down.

PHOEBE (CONT'D)

It’s okay, Ladybug. It was just a nightmare.

Phoebe hugs her daughter fondly. Prue starts calming down.

PRUE

It happened again, mummy.

PHOEBE

It’s okay, you are okay now.

PRUE

I was alone, mum, and there was this dark smoke around me. And I heard it. It was calling my name.

Prue looks at her mother.

PRUE (CONT'D)

It was the Woogyman. I’m sure.

PHOEBE

The Woogyman can’t hurt you, sweetie. Mummy and the aunts got rid of it.

PRUE

No, mummy, it is still out there.

Phoebe takes the glass of milk and hands it to Prue. Phoebe caresses her daughter’s hair kindly. Prue has a sip of milk.

PHOEBE

You don’t have to be afraid of the Woogyman, Ladybug. Remember who you are.

PRUE

I am Prue Halliwell.

PHOEBE

Exactly. And there’s not evil that can get to any Prue Halliwell. You are stronger than anything in this world. Don’t ever forget that.

Prue looks at Phoebe.

PRUE

But what if the Woogyman gets to me. He wants me, mummy, I can feel it.

PHOEBE

You are stronger than that, Prue.

Phoebe takes her daughter’s face between her hands.

PHOEBE (CONT'D)

Look, honey, you are light. There’s not evil in this world that can get to you and change you.

PRUE

I’m afraid, mummy.

Phoebe takes a deep breath.

PHOEBE

Repeat after me. I am light, I am made of light.

PRUE

I am light, I am made of light.

PHOEBE

Whenever you feel like evil is getting to you, remember this and repeat it to yourself, okay.

PRUE

I am light, I am made of light.

Phoebe smiles.

PHOEBE

Good girl.

Phoebe smiles. Prue hands her mother the glass of milk. Phoebe puts it the bedside table. Then Phoebe helps Prue to lay down.

PRUE

I am light, I am made of light.

Phoebe covers Prue with the blankets and kisses her head fondly.

PRUE (CONT'D)

I am light, I am made of light.

Prue closes her eyes while Phoebe caresses her daughter’s hair.

CUT TO:

INT. HALLIWELL / COOP MANOR – 1ST FLOOR CORRIDOR – NIGHT – SHORTLY AFTER - 2014 (FLASHBACK)

Coop is leaning against the wall. Phoebe comes out from Prue’s bedroom. He looks at Phoebe.

COOP

Another nightmare?

Phoebe nods.

COOP (CONT'D)

Why is she having those nightmares?

PHOEBE

I don’t know. It’s always about the Woogyman.

COOP

Does it mean that maybe we should be careful? You know, as she has these premonitions in the form of dreams.

PHOEBE

I don’t know. Prue is very sensitive. But I’ve taught her a spell to cast when she has this kind of dreams.

COOP

To put her to sleep?

PHOEBE

No, honey. To make her feel that she has no reasons to doubt the light inside of her.

Coop smiles and approaches her. He kisses her fondly.

COOP

You are a wonderful mother, are you aware of that?

PHOEBE

You don’t let me forget.

Both Phoebe and Coop smile. Coop puts an arm over Phoebe’s shoulder and both walk into their bedroom.

CUT TO:

EXT. HALLIWELL MANOR – NIGHT – PRESENT DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

CONTINUATION FROM EPISODE 4X16.

Prue and Jo stare at each other. Jo is very upset. Prue is also very upset.

JO

You took everything from me, Prue. My family ---

Prue swallows.

JO (CONT'D)

--- My mother.

Tears start running down Jo’s face. Melinda, holding baby Christina in her arms, stands and looks at Jo. Melinda walks out of there taking the baby.

JO (CONT'D)

I hate you because you were never there.

(crying hard)

You were never there at any of my first things.

ON PRUE - She swallows again. Deep down, she knows.

JO (CONT'D)

You were never there when I walked for the first time or when I said my first word.

(cries harder)

You were never there for my first day of school or when I felt in love for the first time. You weren’t there when I most needed you.

(swallows)

You took my mother from me. You killed her the day you were born. And not happy with that you also killed the only person who was able to fulfill that void.

ON PRUE - Her eyes are red, like thousands of tears want to come out.

PRUE

Who ---

She’s afraid to ask.

PRUE (CONT'D)

Who are you?

Jo cries harder.

PRUE (CONT'D)

(out loud)

WHAT’S YOUR NAME, DAMMIT?!

Jo cries.

PRUE (CONT'D)

Who are you?

Jo swallows and stares strong at Prue.

JO

My name is Prudence ---

Prue takes her hand to her chest.

JO (CONT'D)

--- Christina ---

A tear runs down Prue’s face.

JO (CONT'D)

--- Johanna Halliwell.

PRUE

No.

ON PRUE’S FACE - Her expression is all confusion and sadness.

PRUE (CONT'D)

(out loud)

No!

ON PRUE’S FACE – An expression of despair is clear in her face.

PRUE (CONT'D)

It can’t be.

Prue seems disturbed. She gives her back on Jo while Jo stares at her. And suddenly, ---

Prue starts feeling such a pain in her head. She takes her hands to her temples and holds them.

Jo looks at her confused.

Prue cries out in pain.

JO

Prue?

ON PRUE’S FACE - An expression full of pain as she is taken into an ASTRAL PREMONITION.

FLASHES TO:

EXT. SAN FRANCISCO - STREET - UNKNOWN TIME OF THE DAY AND YEAR (INSIDE PRUE’S PREMONITION)

Prue stands in the middle of the way holding her temples as her head hurts a lot.

SOUND - EXPLOTIONS.

Prue looks up and sees some buildings blowing up.

Everything vanishes and she’s transported to another scenario.

CUT TO:

EXT. SAN FRANCISCO - STREET - UNKNOWN TIME OF THE DAY AND YEAR (INSIDE PRUE’S PREMONITION)

This time, the street is full of people. Looks like these people are attending to some assembly that is being held in the middle of the street.

Prue is in the middle of the crowd, still holding her temples. She looks around. No one seems to notice her.

Far away, a male voice can be heard.

MAN’S VOICE

Dead is what comes for those who would not submit to us, your new rulers.

Prue looks around trying to find where the voice comes from, but it’s all fuzzy.
And it all starts to vanish again.

CUT TO:

EXT. SAN FRANCISCO - STREET - UNKNOWN TIME OF THE DAY AND YEAR (INSIDE PRUE’S PREMONITION)

Prue is in the middle of a different street. This time, some demoniac guards wearing black suits march ahead. They don’t have weapons but look truly scary.

Other people deviate to let them walk through. Those people seem normal.

Prue looks at them as her head screams with pain. She is so confused.

People lower their glances as the demoniac guards walk through.

YOUNG MAN (O. S.)

We will not submit.

Prue turns around and sees a man holding a poster. It reads:

‘EVIL CAN’T WIN’

Prue sees as one of the demonic guards walks towards the men and hits him with a FIREBALL. The man cries in pain. Prue is horrified.

PRUE

No!

Everything vanishes again.

CUT TO:

EXT. SAN FRANCISCO – ALLEY – UNKNOWN TIME OF THE DAY AND YEAR (INSIDE PRUE’S PREMONITION)

This vision is even fuzzier. Prue keeps holding her temples. She sees a blonde woman being hit with a big ball of fire and falling down the ground.

Another woman is next to her.

SOUND - LOUD CRYING.

Prue tries to walk towards them to have a better look. She can hear the cries, the pain in their cries.

Prue finally reaches them and has a look at the woman on the floor.

ON WOMAN ON THE FLOOR - It’s Melinda.

Prue is horrified.

PRUE

Mel?

And confused. The other woman turns to her. It’s Jo.

PRUE (CONT'D)

Jo?

Jo looks at someone in the direction where Prue is.

JO

You killed her.

Prue doesn’t understand. She turns around, but her vision is too fuzzy. She can’t see anyone there. The pain gets more intense.

CUT TO:

INT. PRESCOTT MANOR - THRONE ROOM - UNKNOWN TIME OF THE DAY AND YEAR (INSIDE PRUE’S PREMONITION)

ON PRUE’S EYES - They pop open.

The pain is still intense. She looks around. It’s empty. No one there.

Prue looks at the two throne chairs at the bottom of the room. Slowly her glare raises up until it reaches the painting in the top.

It gets fuzzy. She can’t have a good look at it as the pain makes Prue cry out loud. She tries to look up once again and ---

The vision gets clear.

ON THE PAINTING - A couple she knows very well. She knows it is Wyatt and herself.

PRUE

(confused)

What?!

MELINDA (O.S.)

(calling)

Prue!

Everything gets fuzzy again and ---

FLASHES BACK TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

ON PRUE’S EYES - They pop open.

Prue gets back from the ASTRAL PREMONITION. She is on her knees. The pain stops. Melinda is on her knees in from of her.

MELINDA

That was a hell of a premonition, wasn’t it?

PRUE

That was literally a hell of a premonition indeed.

Jo stands there with her eyes wide open. Confused about what happened. Her face is red. Prue turns to Jo.

PRUE (CONT'D)

I saw your future.

Melinda helps Prue to stand.

PRUE (CONT'D)

It’s bad.

A tear runs down Jo’s face. Prue’s eyes start getting wet.

OFF TO - Wyatt ORBS in the middle of the room as Damon SHIMMERS in.

Wyatt spots Prue right away. He rushes to her.

WYATT

Where have you been? I’ve been crazy looking out for you.

Wyatt notices the disturbed look on Prue’s face. Prue keeps staring at Jo.

WYATT (CONT'D)

What’s wrong?

Wyatt follows Prue’s glance and looks at Jo. Both Prue and Jo keep looking at each other. His expression hardens.

WYATT (CONT'D)

(to Jo)

What did you do to her?

Jo looks at Wyatt and starts stuttering.

JO

I --- I---

WYATT

I asked you not to bother her.

Wyatt starts getting mad.

WYATT (CONT'D)

Why do you keep upsetting Prue? What the hell is wrong with you?

PRUE

Wyatt ---

Wyatt keeps lecturing Jo.

WYATT

You should better leave and not get any closer to us.

PRUE

Wyatt ---

WYATT

You’ve done nothing to change anything. All you do is upsetting my wife.

PRUE

(out loud)

WYATT!

Wyatt turns to Prue. Tears leave her eyes as she cannot hold them inside.

PRUE (CONT'D)

She’s your ---

(swallows)

--- She’s our daughter.

ON WYATT - He is astonished.

WYATT

What?

Melinda and Damon exchange glances.

PRUE

She’s our daughter.

Wyatt turns to Jo. He is astonished. Jo can hold the tears inside her eyes. She lowers her glance. Wyatt keeps staring at her. Then Jo raises up her glance and stares at Wyatt.

JO

Dad ---

ON WYATT - He is disturbed.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Alyssa Milano as Phoebe Halliwell

Victor Webster as Coop

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Katie McGrath as  Ruby / The Red Witch

Laura Vandervoort as Jo

Adrian Pasdar as Jannes

Emilie de Ravin as Blanche

Peter Facinelli as Sebastian

Alex Mauriello as Aisling (Oracle)

Matt Lanter as Matt

Nina Dobrev as Patience

Alexandra Chando as Peri

Abigail Spencer as Serena

Ian Somerhalder as Liam

Andrew J. West as David

McKenna Grace as Christina

Unknown actors and actresses as demons

Unknown actor as Lackey Damon

Unknown babies as Baby Christina and Baby Matt

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

Aerial SHOTS all over the town at the sound of ‘This Feeling’ by The Chainsmokers ft. Kelsea Ballerini.

SEVERAL PLACES all over the town are shown as the music plays.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

MUSIC FADES OFF.

Wyatt is really disturbed. He runs his hands through his blond hair trying to process the information. Melinda and Prue stand side by side while Jo, with tears running down her face, stares at Wyatt. Damon approaches Melinda.

DAMON

I’ll get Chris.

Melinda nods. Damon SHIMMERS out.

WYATT

This can’t be.

Wyatt is in denial. He turns to Jo.

WYATT (CONT'D)

My daughter?

Jo nods yes. She wipes out her tears.

WYATT (CONT'D)

It can’t be.

Wyatt turns to Prue who also seems a little overwhelmed as well. Wyatt and Prue stare at each other for seconds, then he turns to Jo again.

WYATT (CONT'D)

Why lying to us?

JO

I ---

WYATT

You never showed any kind of love towards us.

Wyatt’s words come out with pain and anger at the same time.

JO

That’s because you never showed any kind of love for me.

WYATT

Enough.

Wyatt is mad.

WYATT (CONT'D)

I think it’s time for you to tell us the whole truth.

OFF TO - TWINKLING LIGHTS appearing in the middle of the room.

They all look at it and soon ---

Two male figures are seeing appearing right in front of their eyes.

MATT AND DAVID appear. They stare at each other and let go of their hands.

DAVID

Did it work?

JO

David?

Matt and David look around.

JO (CONT'D)

Matt?

Jo is surprised. Matt and David look at Jo. Jo smiles and runs towards her boyfriend’s arms. They both hold into that hug like a million years kept them apart and now they’ve found their way to each other.

JO (CONT'D)

How are you two here?

They pull apart. David smiles as he looks at Jo and caresses her checks softly. Jo smiles at him. Then David takes Jo’s right hand and kisses her not taking his eyes from hers. Jo blushes and deviates her eyes from his. Then Jo turns to Matt and hugs him.

JO (CONT'D)

I’ve missed you guys so much. All these months without you ---

MATT

Months? It’s been days since the last time we saw each other.

Wyatt, Prue and Melinda exchange glances.

PRUE

What the heck is going on?

Jo, Matt, and David turn to Wyatt, Prue, and Melinda. As soon as Matt’s eyes set on Prue, he smiles.

MATT

Auntie Prue.

Matt immediately runs towards Prue and hugs her tightly.

PRUE

Hi, you.

MELINDA

Auntie?

Matt pulls apart and smiles as he looks at Prue.

MATT

It worked.

Prue is confused but hugs him back. Then, Matt turns to Melinda and smiles big.

MATT (CONT'D)

Oh my God.

He hugs Melinda tightly too.

MATT (CONT'D)

It’s so good to see you, Auntie Mel.

MELINDA

Oh.

Melinda hugs him back.

MELINDA (CONT'D)

Likewise. But I believe we haven’t met.

JO

Yes, you have.

Matt pulls apart. They all look at Jo.

JO (CONT'D)

Baby Matt.

Wyatt, Prue, and Melinda look astonished at Matt. Matt smiles. He and David look around. Both of them stare at Wyatt for seconds and then at Prue.

MATT

We’ve got here in time.

DAVID

Good.

WYATT

In time for what? Can anyone explain what is happening?

Wyatt still seems mad.

MATT

That’s exactly why we came here.

JO

But how did it happen?

MATT

Oh, well ---

Matt is cut off by the arrival of the evil twins. Peri and Patience BLACK ORB and BLACK BEAM in, respectively.

PERI

(sarcastic)

What a great family reunion!

They turn around and face the evil twins.

MELINDA

Who the hell are you?

PATIENCE

Is that way to address your nieces?

JO

You two can’t be here.

The twins smile. Peri and Patience hold hands and ---

JO (CONT'D)

Watch out!

From the twins’ hands, comes a FORCE OF ENERGY that pulls everybody back. Everybody but Prue.

Prue looks astonished at the others. Then she turns to the girls.

PRUE

How did you do that?

PERI

You taught us well.

Wyatt tries to stand and is about to use his powers on the twins when Jo stops him.

JO

No, dad ---

Wyatt looks at Jo confused. Prue stares at the twins who start approaching her. Prue is about to use her powers, but she just can’t. She freezes.

PERI

(to Prue)

You should come with us.

JO

(out loud)

NO!

Patience touches Prue’s shoulder. Peri looks at Jo.

PERI

(to Jo)

The future is set.

Patience DARK BEAMS out taking Prue as Peri DARK ORBS out.

WYATT

(out loud)

PRUE!

Wyatt runs quickly towards the spot where Prue just was. Too late. She’s gone. Matt, Jo, Melinda, and David stand.

JO

She’s gone.

Wyatt is getting desperate. He turns to Jo.

WYATT

(mad; to Jo)

Why did you stop me?

JO

I --- I ---

MATT

Using your powers against them won’t do us any good.

MELINDA

Why?

MATT

Because when they hold hands all their powers double on strength. Not to mention their twins’ powers. Almost matching the Twice Blessed power.

MELINDA

Come again.

JO

Matt, we can’t ---

MATT

Yes, we can. That’s why I came. We must tell them all we know.

WYATT

What do you mean when you said they can almost match the Twice Blessed power?

Matt is serious.

WYATT (CONT'D)

Only Prue and I ---

JO

They are my sisters.

They all look at Jo.

JO (CONT'D)

My evil twin sisters.

ON WYATT - He is shocked.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - NIGHT

STOCK.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - CORRIDORS - NIGHT

Blanche comes walking down the corridor. Her hands inside the doctor’s robe. She seems like she’s taken a decision because she walks confidently.

She reaches Eric’s office door, takes a deep breath and knocks.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - ERIC’S OFFICE - NIGHT

Eric is at his computer and seems very into whatever he is reading.

SOUND - A KNOCK ON THE DOOR.

Eric raises his eyes from the computer.

ERIC

Come in.

OFF TO THE DOOR - Blanche comes in.

BLANCHE

Hey! Do you have a minute?

ERIC

Sure.

Eric motions her to come in. She does and closes the door behind her.

ERIC (CONT'D)

What is it?

BLANCHE

I’m sorry if I’m interrupting you.

ERIC

It’s okay. I was just reading an article a friend of mine posted in her blog.

Eric glances at the computer screen and then looks back at Blanche.

ERIC (CONT'D)

A strong article, must I add. But please ---

Eric signs her to sit.

ERIC (CONT'D)

--- What can I do for you?

Blanche forces a smile.

BLANCHE

I want to take upon your offer.

Eric doesn’t understand.

BLANCHE (CONT'D)

To listen to me.

ERIC

Okay.

Blanche takes a deep breath.

BLANCHE

I have a sister and she’s evil.

ON ERIC - He is shocked.

ERIC

When you say evil ---

BLANCHE

I mean an evil witch. Literally.

ERIC

Witch?

BLANCHE

I know you know about witches, Eric. I am a witch and I know what happened in the delivery room when Bianca gave birth to her baby.

Eric seems astonished.

BLANCHE (CONT'D)

I saw the orbs and I knew that was going to happen so I gave a potion to all the nurses there before entering the delivery room so no one would remember what they would see.

Eric leans back on his chair.

ERIC

I thought that the Cleaners had done something.

BLANCHE

Magic wasn’t exactly exposed to mortals so, no need for them to intervein.

ERIC

(astonished)

You are a witch.

BLANCHE

The White Witch.

ERIC

White Witch?

BLANCHE

That’s how people centuries ago knew me for. 

ERIC

Centuries ago?

Eric seems more and more astonished as she speaks.

BLANCHE

My existence was hidden. And yes, centuries.

Eric stands. He seems so confused.

BLANCHE (CONT'D)

I have a sister.

ERIC

An evil sister?

Blanche nods.

BLANCHE

We are the opposite of each other. I’m good and was born to do good, but she was born to destroy everything.

Eric turns to her.

BLANCHE (CONT'D)

I managed to defeat and locked her down long ago, but now she’s back.

ERIC

Why?

Blanche looks up at him.

BLANCHE

To get revenge on me.

(pauses)

That’s why I need your help. I need to approach the Halliwells and get them to help me to defeat her.

Eric goes to his chair and sits.

ERIC

Who is she?

BLANCHE

Ruby LaFontaine. The Red Witch.

ON ERIC - He is even more shocked.

ERIC

You mean ---

Eric turns his computer screen to Blanche.

ERIC (CONT'D)

--- She’s your sister?

ON COMPUTER SCREEN - The main page of MELISSA’S BLOG. A picture of Ruby can be seen along with a title. It reads:

‘To Much Power in the Hands of Ruby. Good or Evil?’

Blanche stares at the screen and then looks at Eric.

BLANCHE

That’s her.

Eric and Blanche stare at each other.

CUT TO:

INT. MELISSA’S APARTMENT - LIVING ROOM - NIGHT

Melissa and Junior are sitting on the couch. Both of them hold a glass of wine in their hands. Junior has Melissa’s laptop in his lap. He is reading the article she published in her blog.

JUNIOR

This is really good.

Junior looks at her.

JUNIOR (CONT'D)

If I didn’t know better, I would say this woman was an evil witch.

MELISSA

I guess that’s the way I look at her. This woman has bought Bay Mirror and all that’s part of Bay Mirror.

Junior puts the laptop on the center table.

JUNIOR

She’s your boss now, Melissa. How are you going to explain that? Because let’s be honest, she’ll find out.

MELISSA

I know and I don’t care. I don’t like what she’s doing and I’ve made my mind. I’m gonna quit.

JUNIOR

Wyatt won’t let you do that.

MELISSA

I don’t care.

JUNIOR

You describe her as an evil bitch.

Melissa nods.

JUNIOR (CONT'D)

She’s a powerful woman.

MELISSA

Your point?

JUNIOR

Powerful businesswoman. What if she tries to stop you somehow? And I don’t mean to shut you up as a journalist, but worse.

MELISSA

Like, hurt me physically?

Junior nods. Melissa smiles.

MELISSA (CONT'D)

That’s why my BFF is a witch.

Junior smiles.

MELISSA (CONT'D)

To protect me.

They both stare at each other for seconds.

JUNIOR

I know we agreed to be friends but ---

MELISSA

I want to kiss you right now.

JUNIOR

Only one kiss.

MELISSA

Just one kiss.

Junior approaches her quickly and both kiss each other passionately. Melissa starts striping him out of his shirt.

MELISSA (CONT'D)

You don’t need your shirt on to kiss me.

JUNIOR

You don’t need yours.

Junior stripes her off the top of her pajamas.

MELISSA

We can keep kissing in the bedroom.

JUNIOR

This couch is good enough.

MELISSA

The couch is good.

JUNIOR

The couch is good.

They keep kissing passionately.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Wyatt is clearly desperate. Melinda, Jo, Matt, and David are there.

WYATT

My daughters?

MATT

Uncle Wyatt ---

WYATT

(mad)

Don’t uncle me. I don’t know you. I don’t know any of you.

MELINDA

Wyatt, please calm down.

WYATT

I can’t. My wife was just taken away.

JO

They won’t hurt her.

Wyatt turns to Jo.

WYATT

Oh no? So, what would they do to her?

MATT

She’s their mother.

Wyatt is desperate.

OFF TO CHRIS - He comes in.

CHRIS

I got here as soon as I could. Left Bianca and Damon taking care of the babies upstairs.

MATT

Dad!

Chris looks at Matt. He is astonished. Matt runs towards his father and hugs him.

MATT (CONT'D)

You look so young.

Matt pulls apart.

MATT (CONT'D)

Your hair is still so brown.

CHRIS

Do I know you?

MATT

I’m your son, Matt.

CHRIS

Matt?

Matt nods. Chris is so confused.

CHRIS (CONT'D)

Can someone explain what the hell is going on?

JO

Chris, these are Matt and David.

Chris looks at Matt and David.

JO (CONT'D)

Huh, Matt is your son from the future.

CHRIS

Okay. And David?

DAVID

Oh, I’m not your son, if that’s what you want to know. I’m Jo’s fiancé.

JO

Boyfriend.

Jo and David exchange glances. Jo shots him a 'not now' look.

CHRIS

Okay, so what are you guys doing here?

WYATT

I don’t have time for this.

Wyatt is really desperate.

WYATT (CONT'D)

I need to get Prue back.

CHRIS

Wait, I thought Prue was back. Baby Tina is upstairs.

JO

Stop calling me Tina. My name is Jo.

Chris is surprised.

MELINDA

(to Chris)

Yeah, we were right. She’s our niece.

Chris glances at Melinda and stares at her trying to process the whole information.

CHRIS

Okay. So where is Prue?

MATT

Peri and Patience took her.

CHRIS

Who are Peri and Patience?

JO

My sisters.

CHRIS

(sarcastic)

Great.

(pauses)

Why would they do that and why are they here?

MATT

I think is time for us to sit down and have a talk about the future.

CHRIS

That would be great.

JO

Matt, we can’t.

MATT

Yes, we can, Jo. I have new information that can help us change the future.

WYATT

Can that information help me get Prue back?

MATT

Maybe.

MELINDA

So, what the hell screws the future?

Matt and Jo exchange glances.

JO

My parents.

Jo looks at Wyatt who looks at her.

JO (CONT'D)

Prue and Wyatt become evil and so the world.

Chris and Melinda exchange glances.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT - SHORTLY AFTER

Wyatt is by the fireplace staring seriously at the fire. Melinda is casting a spell.

MELINDA

‘Let the Object

of Objection

Become but

a Dream

As I cause

the Seen

to be Unseen’

And the room, which got a little bit destroyed from the demons that were after Jo attacked, becomes normal again.

MELINDA (CONT'D)

Perfect.

Chris, Jo, Matt, and David come in.

CHRIS

Now, explain to us what truly happens.

They all take a seat, but Wyatt who remains as if he wasn’t truly there. Jo glances at him and then lowers his gaze.

MATT

Well, as Jo must have told you, the world is ruled by evil in the future.

MELINDA

Yeah, but who causes that evil and why ---

(to Jo)

--- did you say it was your parents?

JO

Because it was.

MATT

There is someone behind. This person turned them into evil and gave them powers to rule over the world.

Chris and Melinda look at Wyatt.

JO

It was Prue.

They all look at Jo. Even Wyatt.

JO (CONT'D)

She was the first to be turned. And then she took my ---

Jo looks at Wyatt.

JO (CONT'D)

--- Wyatt with her.

MELINDA

I can’t believe that.

JO

It is true. This family is destroyed because of her.

MATT

Jo, please.

JO

It’s true, Matt.

WYATT

Stop it!

They all look at Wyatt.

WYATT (CONT'D)

(to Jo)

You hate her.

Jo stands.

JO

She never gave me a reason to love her. She took everything from me. The chance to have a family. She took you from me.

DAVID

That hasn’t happened yet, Jo.

JO

No? It’s in motion. Why do you think the twins took her? Because Prue from the future sent them to stop me.

WYATT

You are wrong. This is insane. Prue wouldn’t become this person you’re describing.

JO

She did and she will.

Wyatt is mad.

WYATT

No. I can’t keep listening to this lies.

CHRIS

Wyatt, just calm down.

WYATT

(mad)

I can’t. I need to get her back. I can’t feel her. Do you understand?

CHRIS

I do, but ---

WYATT

No buts, Chris. If she had told us more, we could have stopped this sooner.

Jo knows Wyatt is referring to her.

CHRIS

You don’t know that.

WYATT

It doesn’t matter, does it?

Wyatt turns to Jo. Jo lowers her gaze.

WYATT (CONT'D)

I’m out.

Wyatt is about to leave when Jo raises her gaze. Her eyes are wet.

JO

Do that, dad!

Jo is upset. Wyatt turns around.

JO (CONT'D)

She always comes first. Well, guess what. She’s not as good as you think she is and she’ll do unspeakable things. And the worse, she’ll take you to darkness.

Wyatt and Jo stare at each other.

WYATT

You don’t know her.

Tears come running down Jo’s face. Wyatt turns around and ORBS out. Jo cries.

MELINDA

You were very severe with your father, Jo.

JO

My father?

Jo explodes. All the rage she’s been holding for so long sees a window to come out.

JO (CONT'D)

He never truly cared about me. She took him from me and took the chance to have a family away from me.

MATT

That’s not true, Jo. You had a family.

JO

He always cared about his precious Prue. But she was the evil one. The one who dragged him into this messed world.

MELINDA

That’s why you said your mother was dead because Prue becomes evil and so you hate her.

MATT

(surprised)

She said what?

JO

She’s dead for me, but ---

Jo looks seriously at Melinda.

JO (CONT'D)

--- When I talked about my mother being dead, I meant the both of you.

Melinda is serious.

JO (CONT'D)

I never truly met my mother Prue and before coming here I lost the one who raised me.

(pauses; to Melinda)

You.

Melinda swallows.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

EXT. PRESCOTT MANOR - NIGHT

STOCK.

CUT TO:

INT. PRESCOTT MANOR - LIBRARY - NIGHT

Ruby, Serena, Peri, and Patience are there.

RUBY

You mean there’s more?

PATIENCE

Apparently, our cousin used mum’s spell to come back in time.

PERI

And let’s not forget he probably knows who you are.

RUBY

Because Prue broke ---

(confused)

--- Will break the Unbreakable Promise?

Peri and Patience nod.

PATIENCE

That’s why you cannot force her to make that promise. She’ll die.

Ruby glances at Serena and then at the twins.

RUBY

But if I don’t do it, she will reveal who I am.

PERI

Can’t you make her forget as you did to everybody else? I mean, the others won’t remember that you are behind this.

RUBY

But you do remember?

PERI

We do. We always did. No one kept that secret from us. But we were born evil. It’s in our best interest to remain this way.

PATIENCE

Yeah, we wouldn’t betray you. You taught us a lot.

Ruby seems surprised.

RUBY

I like the sound of that.

PERI

So, will you forget about the Unbreakable Promise?

Ruby smirks.

RUBY

I’ll come with a plan. Now, girls, I need to get ready to make your mummy understand that this world we live in needs a change. Can you please leave me alone for a while?

PERI

Sure.

Ruby smiles. Peri and Patience turn around and leave the room. Ruby turns to Serena.

SERENA

Will you really not cast the Unbreakable Promise spell?

RUBY

Oh, I will.

SERENA

But she will break it.

RUBY

And she will die.

SERENA

Oh, Ruby, she’s part of your plans.

RUBY

Well, I never said that I needed Prue to live forever. And if betraying me is a choice she makes, then yes, she deserves to die because of it.

SERENA

Aren’t you curious about the why she betrays you?

Ruby sits on her chair.

SERENA (CONT'D)

It shouldn’t happen. If she becomes pure evil ---

RUBY

I don’t know.

SERENA

Make sure you do what you have to do right, Ruby.

RUBY

Don’t worry. Prue Halliwell is just the beginning of my plan.

SERENA

A plan that could fail if you don’t succeed in breaking her good side.

RUBY

I have a plan B, Serena. Don’t worry. Now, please ---

Ruby motions her to leave. Serena turns around and walks out of the room. Ruby is left there. She smirks.

RUBY (CONT'D)

Oh, yes. The Unbreakable Promise is needed. If she gets softer, then she’ll have no use to me.

(smirks)

I just need to be patient.

Ruby smiles big.

CUT TO:

EXT. SAN FRANCISCO - NIGHT / DAY

SHOTS all over the town as the moon hides and the sun rises.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

Chris and Melinda are sitting on the couch. They seem really tired. Jo and Matt are sitting in front of them.

CHRIS

So, Wyatt and Prue will become the Source and the Queen of All Evil?

Jo and Matt nod yes.

JO

They will rule the entire world.

MELINDA

And no one is able to stop them.

CHRIS

They are Twice Blessed Witches, sis.

MATT

The most powerful witches. Yeah.

MELINDA

And I am dead?

MATT

It happened a few days ago.

JO

It's been months for me.

MELINDA

Right. A Firestarter?

JO

Michaela.

MELINDA

Great.

CHRIS

And also, uncle Henry is dead and so Melissa?

JO

I don’t remember much about Melissa. She lived in hiding for long, but she ended up being captured. Uncle Henry tried to resist as much as he could, but the others in the Police Station thought he was a traitor and killed him. I have no memory of him either.

Damon and David come in bringing coffee for everyone. Damon hands a cup of coffee to Matt.

MATT

Thanks, Uncle Damon.

Everybody is surprised. Jo nudges Matt. Matt realizes what he just said.

MATT (CONT'D)

I mean, Damon.

MELINDA

(astonished)

I don’t really want to know.

CHRIS

What else happened? Or will happen?

MATT

Well, Uncle Coop and Aunt Phoebe were taken to the Shadows’ Temple.

MELINDA

Why?

David hands Jo a cup of coffee.

MATT

There is an open door once in a while. One day, ten years after the world turned evil, the Shadow Witches took the chance and offered a way out to some of us.

JO

They took it.

MELINDA

They just left?

MATT

After everybody tried to convince them to do it. The truth is that knowing that Aunt Prue was evil got Aunt Phoebe down.

CHRIS

What about mum and dad?

Jo and Matt exchange glances.

JO

Leo died when demons and darklighters invaded Magic School. A darklighter, that knew him from Leo’s whitelighter’s times, killed him. And Piper was offered to live Up There.

MATT

She said no. She stayed behind. Always hoping for better days.

JO

But she never left her bedroom. She died a few years ago.

Melinda and Chris exchange glances.

MATT

But Aunt Paige is Up There and so Aunt Prue and her family.

DAMON

What about the others? What about me?

Jo looks at Damon.

JO

You were kidnapped.

MATT

Wyatt offered you to join them and you said no so he took you as a prisoner.

(pauses)

For years. You were actually released shortly before I came here.

JO

(surprised)

What? Wait ---

Jo glances from Matt to David.

JO (CONT'D)

You haven’t said how you came here.

MATT

The same spell that brought you here, brought us here too.

CHRIS

A spell? What spell?

MATT

It was a spell that is in the BOS. It was re-written.

JO

The BOS? Matt, we don’t have access to the Book of Shadows.

MELINDA

(surprised)

You don’t?

JO

No, they took it from us.

MATT

Well, someone has access to it.

All their eyes turn to Matt.

MATT (CONT'D)

Aunt Prue.

JO

What?

CHRIS

It was Prue who gave you the spell?

JO

She’s evil, Matt. She wouldn't give you that spell.

MATT

Yes, she is and she did.

Matt stands mad.

MATT (CONT'D)

But there’s something inside of her ---

Matt can’t explain it.

MATT (CONT'D)

Look, Jo ---

Matt stares at Jo.

MATT (CONT'D)

All these years, she’s been taking care of me. Of us.

JO

That’s not true.

MATT

Yes, it is.

DAVID

She was the one who told Matt who must be stopped.

Jo looks at David.

MATT

And paid the price because of that.

JO

(surprised)

What price?

MATT

Before we came, Uncle Eric told us what happened to her.

Jo lowers her gaze.

CHRIS

Uncle Eric?

MATT

He is like a spy for us.

OFF TO CHARLOTTE AND CASSANDRA - They come in.

CHARLOTTE

A spy for what?

They all turn to them. Charlotte looks at Matt.

CHARLOTTE (CONT'D)

I guess you are Matt from the future?

Matt nods yes.

CHARLOTTE (CONT'D)

So, why is Eric a spy?

Matt stares at Charlotte.

MATT

Because you turned evil and he decided to join as well, he would help us somehow.

Charlotte is surprised.

CHARLOTTE

I turned what?

JO

That’s what they do.

Jo looks at them all.

JO (CONT'D)

Can you understand now? They destroyed our family.

CASSANDRA

Who are you talking about?

JO

Wyatt and Prue. They are the ones who turn this world evil.

CASSANDRA

Not possible.

JO

Yes possible.

MATT

That’s not entirely the truth.

JO

Matt ---

MATT

They are her instruments. I don’t know the whole story, but the person we need to stop is another.

DAMON

Who?

The all look at Matt waiting for his answer.

MATT

The Red Witch.

CASSANDRA

(astonished)

Shut up!

ON CASSANDRA - She is serious. She has heard that name before.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - DAY

ON PRUE’S EYES - They are closed and open slowly.

PRUE’S POV - Everything seems fuzzy. She rubs her eyes. She sees a female’s figure right next to her.

AISLING

Rise and shine, sunshine.

Prue tries to get into a sitting position with difficulties. Every bone in her body hurts.

PRUE

What the hell is wrong with me?

AISLING

Powers don’t work here so your ability to recover fast is turned off.

Prue looks around and then looks at Aisling.

PRUE

What am I doing here? What are you doing here?

AISLING

What’s the last thing you remember?

Prue tries to think for a while.

PRUE

There were these two girls.

AISLING

The evil twins.

PRUE

Evil twins?

Aisling nods.

AISLING

What else do you remember?

PRUE

I tried to use my powers, but there was something that stopped me from doing it. And then ---

Prue looks seriously at Aisling.

PRUE (CONT'D)

--- Then it’s all black.

(looks around)

How did I end up here? Where is here?

AISLING

We are in a cell.

PRUE

That I can see.

AISLING

The Dungeons of Prescott Manor.

Prue is open-eyed.

AISLING (CONT'D)

She made it.

PRUE

She? The Red Witch.

Aisling nods.

PRUE (CONT'D)

Prescott Manor, huh? So, I was right.

AISLING

Right about what?

Prue tries to stand with difficulties. Aisling stands and helps her. Prue smiles at Aisling.

PRUE

Thanks.

(takes a deep breath)

I found out about this Ruby character.

Aisling smiles.

AISLING

The Red Witch.

Prue nods.

AISLING (CONT'D)

Did you find out how to vanquish her?

PRUE

Yes. Her equal. I know who she is.

Aisling smiles big.

AISLING

Well, I guess the others are trying to find her now, aren’t they?

PRUE

No one knows what I’ve discovered. No one knows who Ruby is.

Aisling’s smile banishes. Prue walks towards the door and waves her hand. Nothing happens.

AISLING

I told you, magic doesn’t work in here. Only Serena’s magic.

Prue turns to Aisling.

PRUE

Serena?

AISLING

The Old Witch. Well. She doesn’t look that old though.

PRUE

I know who Serena is. I encountered her years ago.

Prue looks around. She sees all the symbols in the walls.

PRUE (CONT'D)

Those symbols ---

AISLING

They are the ones who nullify our powers in here.

Prue approaches the wall and touches one of the symbols.

PRUE

This is blood.

AISLING

Yup.

Prue turns to Aisling.

PRUE

I don’t understand, Oracle. Why am I here?

Aisling is serious.

AISLING

Because she needs you, Prue.

PRUE

What for?

AISLING

To achieve her plans.

PRUE

She needs an evil world to get revenge on her sister.

AISLING

Exactly.

In Prue’s mind, everything starts making sense now.

OFF TO THE DOOR - It opens. Serena walks in smiling. She wears a white set of top and pants. Prue turns to her.

SERENA

She’s awake.

PRUE

You!

SERENA

And she remembers me.

Soon, Ruby walks into the room too. She is wearing her long ruby red cape.

PRUE

The Red Witch.

Ruby smiles big and looks at Prue with a victorious look on her face.

RUBY

It’s a pleasure to finally meet you, Prue Halliwell.

Both Prue and Ruby stare at each other. Prue is serious. Ruby keeps the big and wicked smile on her face.

CUT TO:

INT. MELISSA’S APARTMENT - LIVING ROOM - DAY

SHOTS ALL OVER THE ROOM - There are pieces of clothes scattered all around the floor.

On the couch are Junior and Melissa hugging. They are only covered by a blanket.

ON JUNIOR’S PHONE - It beeps with a text. Once. Twice.

ON JUNIOR - He opens his eyes slowly.

Melissa starts waking up as well.

SOUND - Another beep.

Junior reaches out his arm to get the phone. He rubs his eyes. Melissa looks at him as he starts reading the text.

JUNIOR

Crap!

MELISSA

What’s going on?

Junior looks at Melissa as if seeing her for the first time.

MELISSA (CONT'D)

In my defense, we were not drunk last night.

JUNIOR

I wasn’t either. There’s something wrong.

Junior gets into a sitting position. He keeps reading the texts.

JUNIOR (CONT'D)

I need to get to the Manor. Apparently, they’ve found what screws the future.

MELISSA

Oh!

Junior glances around.

JUNIOR

Where are my pants?

Junior looks at Melissa.

MELISSA

Somewhere.

Melissa grimaces.

JUNIOR

We did it again.

MELISSA

Yeah, we did.

They stare at each other for seconds.

JUNIOR

This is wrong.

MELISSA

It felt right.

JUNIOR

It did.

MELISSA

But we are friends.

JUNIOR

We are.

MELISSA

You need to save the world now.

JUNIOR

It can wait.

Junior kisses Melissa passionately and she corresponds. They keep kissing until ---

Melissa pushes him back.

MELISSA

The world can’t wait to be saved, J.

JUNIOR

But ---

MELISSA

You were right, we are friends.

Junior is serious.

MELISSA (CONT'D)

We are vulnerable and it’s been so long since the last time we were with someone else.

JUNIOR

We are messing things.

MELISSA

Yeah, we are.

JUNIOR

I need to go.

Melissa nods. Junior takes his pants and shirt from the floor and stands walking away.

ON MELISSA - She is serious.

MELISSA

I’m so stupid.

Melissa lies back on the couch.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - DAY

Chris, Melinda, Charlotte, Cassandra, Jo, Matt, David, and Damon are there. They all are listening to Cassandra.

CASSANDRA

So, that was the first time I heard about the Red Witch.

MELINDA

Why didn’t you say?

CASSANDRA

I asked Prue. She’s the demon’s encyclopedia of the family.

JO

She is that important because you guys give her importance.

CHRIS

(mad)

Hey, stop talking that way about your mother. It’s enough!

Jo is surprised by Chris’ reaction. Both stare at each other.

CHRIS (CONT'D)

I’m sorry. I just ---

Jo lowers his gaze. Chris shakes his head and turns to Cassandra. David holds Jo’s hand to support her.

CASSANDRA

Prue knew nothing about it.

CHARLOTTE

So, Ivana knows who her stepmother is?

CASSANDRA

Maybe, I don’t know.

DAVID

Ivana Prescott?

CASSANDRA

That’s Ruby’s stepdaughter.

DAVID

I never thought they would be related.

MATT

Do you know Ivana Prescott?

DAVID

She’s one of my patients at the asylum.

DAMON

Do you work in an asylum?

DAVID

I do. I knew I’ve heard about the Red Witch too, but I wasn’t making the connection till now.

MELINDA

So, that’s the person we need to stop, Ruby LaFontaine.

OFF TO - Some ORBS appear in the middle of the room. Tamora and Pandora ORB in.

TAMORA

I’m so glad you guys are here. I think we got it all wrong. Jannes is not the one we are looking for and so help me God, but I think we must be looking for someone else.

They all exchange glances. Tamora and Pandora notice Matt and David.

PANDORA

Please tell us they are magical people too.

CHRIS

They are. Matt and David.

TAMORA

Matt and David.

MATT

I’m Matt. You know me as a baby so far, Aunt Tam.

TAMORA

Oh.

DAVID

And I’m David. Jo’s fiancé.

JO

Boyfriend.

Jo and David exchange glances.

PANDORA

Right.

CHRIS

So, why do you think Jannes is not the one we are looking for?

TAMORA

Oh, because and, ---

(to Jo)

--- Correct me if I’m wrong, ---

(looks at the others)

--- this fast-growing of Prescott Group is very suspicious.

They all exchange glances. They don’t look surprised.

PANDORA

Why are you guys not surprised?

MELINDA

Because we just learned that the Red Witch if the one after the whole thing.

TAMORA

Turning the world evil?

Melinda nods yes.

TAMORA (CONT'D)

Please tell me that Ruby LaFontaine is not that Red Witch.

MATT

Yes, she is.

PANDORA

So, she is a businesswoman who is also a witch.

MATT

In our future, she is just an adviser to the Source and not a businesswoman.

PANDORA

You mean, the Source is back? As in Leah?

CHRIS

No, as in Wyatt.

Pandora looks at Chris.

PANDORA

What? You don’t mean ---

Chris nods.

TAMORA

No ---

JO

The ones who ---

They all look at Jo.

JO (CONT'D)

--- Are in charge of the whole world are my parents.

Tamora and Pandora exchange glances.

JO (CONT'D)

Prue and Wyatt.

ON TAMORA AND PANDORA - They are shocked.

CUT TO:

INT. UNDERWORLD - DARK WIZARD’S CAVE - DAY

Jannes is pacing the cave. He seems worried and at the same time desperate.

A lackey demon comes in.

LACKEY DEMON

My Lord ---

Jannes stops and stares at the demon.

JANNES

Have you found the Oracle?

LACKEY DEMON

No, my Lord. We’ve searched everywhere and couldn’t find her.

Jannes gets mad.

JANNES

Damn!

LACKEY DEMON

But our spy gave us some information.

JANNES

What information?

LACKEY DEMON

The Red Witch has got Prue Halliwell.

ON JANNES - He is not pleased with the information.

LACKEY DEMON (CONT'D)

She was taken to the dungeons under the witch’s headquarter.

JANNES

Dungeons?

LACKEY DEMON

She has created it magically under Prescott Manor. And with the help of the Witch Serena, she has cast some protection down the place.

JANNES

There must be a way to get in there and rescue Prue.

LACKEY DEMON

It’s impossible, my Lord. Our spy tried to, but he wasn’t able.

Jannes shouts out loud.

JANNES

She probably got Aisling too.

LACKEY DEMON

Who, my Lord?

JANNES

It doesn’t matter.

Jannes motions him to leave. The demon bows and walks out of the cave. Jannes glances at his wand.

JANNES (CONT'D)

There’s only one thing left to do.

He walks towards the wand and SPIRALIZES out.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - DAY

Prue is standing while Ruby walks around her. Aisling stares at them as well as Serena.

RUBY

You don’t seem so scary in person.

PRUE

Don’t tempt me, ---

Prue glances at her.

PRUE (CONT'D)

--- Red Witch.

Ruby smiles.

RUBY

So, you know who I am. Good. That saves my Latin.

PRUE

I had some help in figuring out.

RUBY

Of course, Jannes. That man still hates me.

PRUE

You won’t succeed, Ruby.

Ruby stands in front of Prue. Both stare at each other deeply in the eyes.

RUBY

I will. I had some information about the future and I know I will.

PRUE

It would be necessary a great power to break me and make me turn off my good side.

Ruby smiles big.

RUBY

I am surprised, Prue. You are very smart. You’ve figured out my plan already. We’ll at least what I want to achieve.

PRUE

You won’t win.

RUBY

We’ll see about it.

Ruby turns to Serena.

RUBY (CONT'D)

Do it.

Prue and Aisling don’t understand. Ruby walks away from Prue. Serena approaches Prue.

SERENA

It would be so good to finally get my revenge against granny Penny.

PRUE

Stay away from me, witch.

Serena smiles. Then she reaches out her hand and opens it before Prue’s face.

ON SERENA’S HAND - A red powder is in there.

Serena blows the powder toward Prue’s face.

AISLING

What are you doing?

Prue breathes in the powder in and soon starts feeling dizzy. Serena and Ruby exchange glances. Aisling approaches Prue and holds her as she faints. Aisling looks at Ruby.

AISLING (CONT'D)

There’s still time for you to stop this.

RUBY

I won’t. I will finally get my revenge and you better start praying, Oracle, because as soon as my plan is completed, I will vanquish you myself.

SERENA

(out loud)

Guards!

A couple of demons walk into the cell.

SERENA (CONT'D)

Take our future Queen to the Red Room.

The demons nod and both walk towards Prue and take her out. Aisling stands. Ruby and Serena turn to leave.

AISLING

Your plan has a loophole, Ruby.

Ruby looks at Aisling over her shoulder.

RUBY

No, it doesn’t. Everything will work out just the way I planned.

Ruby smiles. Then both Ruby and Serena walk out the cell. The door is closed. Aisling stares at the door.

AISLING

No, Ruby, you are not counting on the power of love.

ON AISLING - She seems sure of what she’s saying.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’ BEDROOM - DAY

Bianca is there holding baby Tina and trying to calm her down. Tina is crying hard.

BIANCA

Shush, baby.

Bianca seems a little desperate.

BIANCA (CONT'D)

Why aren’t they telling me what the hell is going on?!

Bianca looks at Tina.

BIANCA (CONT'D)

Sorry, darling. Don’t mind the bad words.

Bianca looks at the crib.

ON THE CRIB - Baby Matt sleeps tight.

BIANCA (CONT'D)

At least one of us is calm.

SOUND - A KNOCK ON THE DOOR.

Bianca turns around and looks at the door as it opens. Jo comes in.

JO

Hi, Aunt Bianca.

Bianca’s eyes get wide open.

BIANCA

Of course, Aunt Bianca, I knew it.

Jo smiles.

JO

There’s someone here that wants to meet you.

BIANCA

Who?

Jo motions someone to come in. Soon, Matt walks in. He looks at Bianca and smiles. It’s not just a smile. It’s a happy smile. Some tears start running out Matt’s eyes.
Bianca is emotional also. Somehow, she knows who Matt is. A tear runs down her face too.

BIANCA (CONT'D)

Matt?

Matt smiles big.

MATT

Mum!

Jo approaches Bianca and takes baby Tina in her arms. Matt runs towards his mother’s arms.

MATT (CONT'D)

Oh, mum. I’ve missed you so much.

This is a very emotional hug. Jo smiles and a tear runs down her face too.

BIANCA

But how ---

Matt pulls apart.

MATT

I came back in time.

Bianca touches her son’s face.

BIANCA

Oh, my God. This is insane.

Matt smiles.

MATT

Yeah.

Both of them hug again. Jo smiles. Baby Tina starts getting calmer. Bianca notices it and pulls apart. She turns to Jo.

BIANCA

Did you call me Aunt Bianca?

Jo nods yes. Bianca turns to Matt, then she looks at Jo again.

BIANCA (CONT'D)

Tina?

JO

For the record, I go by Jo now.

Bianca doesn’t know what to say.

BIANCA

What is going on?

MATT

We have some work to do, mum.

The word ‘mum’ comes from Matt’s mouth with emotion.

MATT (CONT'D)

We must save the future.

Both Matt and Bianca stare at each other deeply.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY - DAY (SHORTLY AFTER)

Chris, Damon, Charlotte, Cassandra, Tamora, Pandora, Junior, and David are there.

PANDORA

I still can’t believe it. I’ll live in hiding in the future?

DAVID

You did it to protect your family.

TAMORA

At least you’ve got a family. I, on the other hand, lose my husband to the Elders.

OFF TO JO - She comes in followed by Matt and Bianca.

JO

Not exactly.

Tamora looks at Jo.

JO (CONT'D)

You asked him to join the Elders and Whitelighters Up There.

MATT

Yeah, you did that to protect him.

JO

All those who possess no Warren blood is of no importance to the Source and the Queen.

OFF TO MELINDA - She comes in hanging off her phone.

MELINDA

That doesn’t apply to me once I’ll die at the hands of a Firestarter.

MATT

We won’t let that happen again, Aunt Mel.

Melinda smiles at Matt. Chris approaches Bianca.

CHRIS

(to Bianca)

Have you met our son?

BIANCA

I have.

Bianca looks at Matt.

BIANCA (CONT'D)

He looks a lot like you.

Bianca turns to Chris and kisses him.

MELINDA

I can’t reach Wyatt. He’s not picking up his phone.

BIANCA

So, is it true? Prue and Wyatt become evil again?

CHARLOTTE

Apparently. We can’t let them both turn evil at the same time.

CASSANDRA

That’s why we need to keep Wyatt into the light. So, he can bring Prue back.

MELINDA

Why is everybody assuming that Prue will turn evil?

JO

Because she will, Mel.

MELINDA

It’s Aunt Mel for you now.

Jo lowers her gaze.

MELINDA (CONT'D)

Prue won’t just turn evil. She has made her peace with her dark side.

CHRIS

Mel is right. It won’t be that easy to break her.

JO

You guys, don’t understand. She will turn evil and she will take my father with her. She is the one responsible for this whole mess.

Jo’s words come out with anger.

JO (CONT'D)

She’s pure evil.

MATT

Stop it.

Everybody looks at Matt.

MATT (CONT'D)

She’s not that evil.

(pauses)

I said it before and will say it now. Aunt Prue has something good inside of her. Her good side fights. I’ve seen it. She was the one who released me and Damon and asked me to come here. She told me who we must stop.

JO

Why now and not before?

MATT

Because she made a pact. A promise. And she broke it and now ---

(takes a deep breath)

--- She’s dead.

JO

(surprised)

What?

JUNIOR

You mean, Prue is dead in your time?

Matt nods yes.

DAVID

She took that risk to save us.

JO

Mum is dead?

Matt nods.

MATT

She asked me to tell you that she loves you so much.

JO

No ---

Jo can’t hold her tears.

MATT

It’s you what keeps alive the good inside of her.

David approaches Jo and tries to comfort her.

JO

I need to be alone.

Jo rushes out of there quickly.

DAVID

I’ll talk to her.

David rushes out of there as well.

CHRIS

We must find, Wyatt.

CASSANDRA

We can split up and look for him.

DAMON

Good idea.

CHRIS

Yeah, but we shouldn’t be alone.

(to Bianca)

You should better stay with the babies.

BIANCA

No. We’ve taken the babies to Piper and Leo.

CHRIS

What?

BIANCA

Don’t worry. We said nothing of this to them.

CHRIS

Still, babe, you have no active powers.

BIANCA

Yeah, and I need them now.

MELINDA

What?

BIANCA

Can any of you help me with that?

They all exchange glances.

TAMORA

That’s actually a good idea.

PANDORA

We could use a Phoenix Witch.

Bianca smiles.

MELINDA

Great, because I happen to have a potion saved for this day.

CHRIS

You created a potion to unbind Bianca’s power.

MELINDA

I knew that she would want them back eventually.

CHARLOTTE

And today it’s the day.

Melinda and Bianca smile.

CUT TO:

EXT. SAN FRANCISCO - DAY

Clouds cover the sky. Heavy clouds. It could start raining at any moment.
SHOTS all over the town.

THUNDER begins.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - DAY

ON WYATT’S FACE - He has his eyes closed. Concentrated. Breathes in. Breathes out.
It starts raining.

Wyatt opens his eyes.

WYATT

Where are you, Prue?

The rain falls on him. He gets wet.

WYATT (CONT'D)

(out loud)

WHERE ARE YOU, PRUE?

Wyatt is full of rage. He RAISES his ARMS and from the palm of his hand ENERGY BEAMS come out. He THROWS them toward the sky.

ON THE BEAMS OF ENERGY - They could be easily misunderstood by the thunder.

ON WYATT - He is mad and desperate.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - DAY

ON RED CANDLE - On the floor.

Lots of red candles are scattered on the floor forming a circle.

On the floor is also a TRIQUETRA drawn on the floor. In the center of the Triquetra, Prue is lying on her back, unconscious. She is straight and in a profound sleep.

OFF TO RUBY - She comes in wearing her red cloak and barefoot. Serena comes right after her.

Ruby approaches Prue and stands at her feet. Ruby looks down at Prue.

RUBY

Are you sure she won’t wake up?

SERENA

She’s deeply asleep.

Ruby smiles.

SERENA (CONT'D)

You have to picture in your mind the place you want to take her.

RUBY

Oh, I know exactly where I want to take her. To the world she fears the most.

SERENA

Then, it shall begin.

Ruby stares at Prue.

RUBY

Let me take you to my show of horrors, dear Prue.

Serena steps back and stands, leaning against a rock wall. She stares at Ruby.

Ruby reaches out her hands and closes her eyes and so she starts chanting.

RUBY (CONT'D)

(chanting)

‘Taura, pyro, hydro,

Cyro, aero, thundora.

accipere magma quo est

eam sequuntur somnia incipere’

ON PRUE - Unconscious.

FLASHES TO:

EXT. SAN FRANCISCO - INT. NIGHTMARES PLAN - DAY

ON PRUE’S FACE - She opens her eyes.

She is standing in the middle of a street. She looks confused.

SOUND - EXPLOSIONS.

She turns around. All that can be seen is a series of explosions and fire everywhere.

PRUE

Where the hell am I?!

RUBY (O.S.)

In hell exactly, darling.

Prue turns around. Ruby is there standing in from of her wearing her ruby red cape.

PRUE

What is all this?

Prue is getting mad.

SOUND - SCREAMS.

Prue turns around. People are screaming everywhere. They run scared.

RUBY

This is the world we all will end up in if you don’t do something to stop it.

Prue turns to Ruby.

RUBY (CONT'D)

You have to take the control in your hands, Prue. Otherwise, this will be the place your daughter will grow up in.

PRUE

No. This is the place you want to create.

RUBY

You are wrong, Prue. I just want a better world. You’ll have the power to shape it your way.

People keep running around them. Prue looks around. She sees some demons killing people using magical powers.

RUBY (CONT'D)

Demons, witches ---

Prue is horrified.

RUBY (CONT'D)

--- Humans. Everyone will obey you. You’ll be the Queen. As you always wished.

PRUE

I don’t want this.

Prue’s eyes get wet as she sees a mother and his child being murder by a demon.
Ruby approaches Prue.

RUBY

Poor child and poor woman.

A tear runs down Prue’s face.

RUBY (CONT'D)

You have the choice to stop it. To end all this evil.

(pauses)

You just have to turn it off and embrace your true self.

Ruby smiles as she sees Prue suffering.

RUBY (CONT'D)

You’ll be the one to roll the dice.

PRUE

No.

Ruby gets serious. Prue turns around.

PRUE (CONT'D)

I won’t turn off my good side.

RUBY

You can stop all this from happening.

PRUE

(out loud)

I said NO!

Prue turns around and runs fast out of there.

RUBY

(takes a deep breath)

I’ll break you, Prue. It won’t be easy, but I will.

Ruby smiles and walks ahead.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. HALLIWELL MANOR - WYATT & PRUE’S BEDROOM - DAY

No one is there.

ON THE DOOR - It flies open. Jo rushes in gasping. She is shattered because of the news she just received. Jo glances around.

JO

Mum!

ON JO’S FACE - A tear runs down her face which she wipes away quickly.

JO (CONT'D)

Was I wrong my whole life about you?!

OFF TO DAVID - He comes quickly and closes the door behind him.

DAVID

Jo?

Jo turns around to face her boyfriend.

JO

She’s truly dead?

David nods.

JO (CONT'D)

Why?

DAVID

To save us.

JO

That’s impossible. That’s not Prue Halliwell.

DAVID

Well, maybe that is Prue Halliwell. Honey ---

David approaches Jo and touches her face softly. She closes her eyes.

DAVID (CONT'D)

--- Maybe you misjudge your mother wrong all this time.

JO

(open her eyes)

She was never there for me, David. Never.

DAVID

Maybe she did it to protect you.

JO

I guess we’ll never know her reasons. She’s dead.

DAVID

No, honey. She’s pretty much alive and there is still hope. She can be saved. The future can be changed.

Jo smiles and then she jumps into David’s arms, hugging him tightly. He hugs her back.

JO

I’ve missed you so much.

David smiles.

OFF THE DOOR - It opens. Matt peeks inside.

MATT

I hate to interrupt you guys, ---

Jo and David break the hug.

MATT (CONT'D)

--- but mum is about to get her powers back.

JO

(to David)

Let’s go.

All three head out of the bedroom.

CUT TO:

INT. HALLIWELL MANOR – ATTIC – DAY (SHORTLY AFTER)

ON BIANCA – She’s smiles.

Bianca holds an ENERGY BALL in her right hand.

BIANCA

I’ve missed you, babe!

Melinda, Matt, Jo, and David are there. They all stare at Bianca. Bianca realizes their look on her and turns off the ENERGY BALL.

BIANCA (CONT'D)

I haven’t missed them that much. Please tell me I don’t turn evil in the future.

MATT

No, mum, you won’t.

BIANCA

(relieved)

Oh, thanks, God.

MELINDA

We should go and find Wyatt.

DAVID

Jo and I can go together.

JO

Sure.

Jo walks towards David and both hold each other’s hand. Then Jo ORBS out surrounded by PURPLE ORBS.

BIANCA

I didn’t know she could orb.

MELINDA

She can. I saw it on the day she was born. And she can heal too.

MATT

She has a mix of Whitelighters and Cupids powers. And well, also Telekinesis and some other witches’ powers.

BIANCA

What about you?

MATT

Whitelighters’ powers and some others like Telekinesis and I have my own Force Field.

BIANCA

That I know. You protected me a few times while pregnant.

Matt smiles.

MATT

Also, I gained that same ability you just showed, mum. Not as strong yet, but still.

BIANCA

Energy balls?

Matt nods.

BIANCA (CONT'D)

But you don’t have the mark of the Phoenix.

MATT

No, I don’t. But it didn’t stop me from having something from you.

Bianca smiles. Matt looks fondly at her. Melinda notices the emotional glances of Matt against Bianca.

SOUND – DOORBELL.

MELINDA

Oh, C'mon! Now that we need to leave.

Melinda walks out the attic. Matt and Bianca follow her.

CUT TO:

INT. HALLIWELL MANOR – ENTRANCE / STAIRCASE – DAY

Melinda comes downstairs followed by Matt and Bianca. She walks towards the front door and opens it.

ON ERIC AND BLANCHE – They stand there. Both of them are very serious.

MELINDA

Eric?

BIANCA

Dr. Dubois. What are you doing here?

ERIC

We all need to talk.

Eric glances at Blanche, then he turns to the others.

ERIC (CONT'D)

Blanche needs your magical help.

Melinda and Bianca exchange glances.

CUT TO:

EXT. P3 – DAY

STOCK.

CUT TO:

INT. P3 – DANCING FLOOR / BAR – DAY

No one is there. PURPLE ORBS appear in the middle of the dancing floor. Jo ORBS in bringing David. David looks around.

DAVID

So, this is P3!

Jo nods.

JO

I’ve been working here for the past few months.

David looks at her.

DAVID

I’m glad it doesn’t seem like months for me.

JO

Why are you here, David? You shouldn’t have come.

DAVID

I’m your fiancé, Jo.

JO

I haven’t said yes yet.

DAVID

Indeed, you haven’t. With Melinda’s death and everything that happened ever since.

JO

You didn’t come here just to get an answer from me, did you?

David takes Jo’s hands between his and looks her in the eyes.

DAVID

I came because I love you and your fight is my fight.

JO

It’s dangerous.

DAVID

It doesn’t get better in the future, but I’ve known you my whole life and I can’t imagine my life away from you.

Jo lowers her glance.

JO

I can’t think about anything else than changing our present, David, and if I succeed, I don’t know what it means for us.

DAVID

Is that why you didn’t say goodbye?

Jo looks up at David.

JO

I couldn’t live with myself knowing that the last thing I ever told you was goodbye.

David gets even closer and puts and touches her face softly. Jo closes her eyes feeling his sweet touch. His lips meet hers in a sweet and at the same time passionately kiss. Then, David pulls apart.

DAVID

Don’t doubt true love, Jo.

Jo looks at him deeply in his eyes.

DAVID (CONT'D)

We are meant to be no matter what happens in the future.

JO

I wish you are right.

DAVID

I am. We’ll make it together.

David seems sure of what he is saying.

DAVID (CONT'D)

In a couple of years, we’ll meet in Magic School and we’ll never let go of each other.

Jo smiles.

DAVID (CONT'D)

But right now, we need to find your father, because he’s the only one capable of bringing your mother into the light again.

Jo nods.

DAVID (CONT'D)

Any idea of where he is?

JO

I don’t know. It happens that I don’t know my parents that much.

DAVID

We’ll you spent the last months with them. Think.

Jo starts thinking. It takes her seconds to come up with something.

JO

The Golden Gate Bridge. 

David smiles.

JO (CONT'D)

I’ve learned that it was there where they kissed for the first time.

DAVID

Good.

Jo smiles.

DAVID (CONT'D)

Lead the way.

Jo holds David’s hand and ORBS out taking him.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - DAY

ON BLANCHE - She is serious.

Blanche is sitting on the couch. Beside her is Eric. Melinda, Bianca, and Matt are in front of her.

BLANCHE

And that’s my story.

MATT

So, you are Ruby’s equal?

Blanche nods.

BLANCHE

The only one who is capable of stopping her.

Melinda and Bianca exchange glances. Then, Melinda turns to Blanche.

MELINDA

Prue was taken. What are her plans for Prue? Do you know anything about it?

BLANCHE

(surprised)

She has got Prue?!

Melinda nods.

MELINDA

Can Ruby use Prue to turn the world evil?

ERIC

You mean that ---

MATT

Prue and Wyatt are the Source and Queen of All Evil from when I come.

Eric is surprised.

BLANCHE

The Twice Blessed Witches. Yes, she can use them to turn the world evil.

BIANCA

Then, we must find Wyatt ASAP.

BLANCHE

I won’t be able to stop Ruby if she succeeds.

MELINDA

We won’t let her succeed. We’ll find Wyatt and if Ruby turns Prue into the evil version we all fear, then Wyatt will be able to bring her back to the light.

Matt stands and paces the room. Bianca notices that something is on her son’s mind. She stands and approaches him.

BIANCA

Matt ---

Matt turns to his mother.

BIANCA (CONT'D)

What’s wrong?

Matt glances at them.

MATT

I don’t know exactly how, but Jo was right about something.

MELINDA

Which is ---

MATT

It’s aunt Prue who takes uncle Wyatt to the evil side.

Melinda and Bianca exchange glances.

MELINDA

That’s why we need to find Wyatt and explain what’s happening.

ERIC

So, no one knows where Wyatt is?

MELINDA

He left mad after finding out that Jo was his daughter and that he is the Source in the future.

BLANCHE

I want to help.

MELINDA

No, Dr. Dubois ---

BLANCHE

Call me Blanche, please.

MELINDA

Blanche. My brother doesn’t understand what’s actually happening, so I think it’s better for you to stay here while we look for him.

(to Eric)

Can you stay with her?

ERIC

Sure.

Melinda stands and looks at Bianca and Matt.

MELINDA

We should go.

BIANCA

Any idea where he is?

MELINDA

The Underworld.

Both Matt and Bianca nod.

BIANCA

I know how to walk down there. 

She turns to Matt.

BIANCA (CONT'D)

Follow me.

Matt nods. Bianca approaches Melinda and holds her hand. Bianca SHIMMERS out taking Melinda. Matt ORBS out.

Eric holds Blanche’s hand, showing some support.

ERIC

Everything will be fine.

Blanche looks at him.

ERIC (CONT'D)

I’ve seen them in action and they rock.

BLANCHE

I hope you are right. If my sister succeeds in turning the world evil, she’ll win and there will be nothing I can do to stop her.

They hold a heavy expression on their faces.

FLASHES TO:

EXT. HALLIWELL MANOR - DAY - INT. NIGHTMARES PLAN

STOCK.

CUT TO:

INT. HALLIWELL MANOR - FRONT HALL / STAIRCASE - DAY - NIGHTMARES PLAN

The door opens abruptly and Prue runs into the house shouting out loud.

PRUE

Wyatt!

No one answers. No one seems to be there.

OFF TO RUBY - She comes from the living room.

RUBY

There won’t be a family for you to run to, Prue.

Prue tries to ignore her. Still, she seems desperate. She looks upstairs.

PRUE

Tina.

She rushes upstairs as Ruby watches her. Ruby smirks.

CUT TO:

INT. HALLIWELL MANOR - PRUE & WYATT’S BEDROOM - DAY - NIGHTMARES PLAN

Prue comes in quickly and glances around, looking for something.

PRUE

Tina?

No one, not even her daughter is there.

PRUE (CONT'D)

Wyatt? Tina?

No one answers. Complete silence. Prue is getting more and more desperate. She peeks into the bathroom and nothing.

Then ---

JO (O.S.)

Mum ---

She stops as she hears the voice of the adult version of her daughter.

PRUE

Jo?

JO (O.S.)

Mum ---

The voice carries some pain. It comes from outside the room. Prue heads out the bedroom.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - DAY - NIGHTMARES PLAN

Prue comes from her bedroom and looks at her left. Her eyes fill with pain as she sees the image in front of her.

There is Jo. Standing, holding her stomach. Her hands covered in blood just like her stomach. Her eyes filled with pain.

JO

It hurts, mum.

PRUE

Jo!

JO

It hurts so much.

Prue is frozen staring at her.

CHRISTINA (O.S.)

You could have changed it.

Prue turns around and there is the eleven years old version of her daughter. The girl is wearing a white dress.

PRUE

Tina!

CHRISTINA

That’s how I’ll end since you are not willing to change it.

PRUE

I can’t.

CHRISTINA

Then, you will lose me, mummy.

Ruby comes in from behind Christina.

RUBY

Are you willing to lose this beautiful girl?

Prue looks at Ruby.

RUBY (CONT'D)

Are you ready to carry her blood in your hands?

Prue looks at Christina. Then, she FADES OFF. Prue turns to Jo and she FADES OFF as well.

PRUE

This isn’t real.

RUBY

It will be if you don’t take control of the world.

Prue turns to Ruby.

PRUE

(decided)

Never!

Then she turns around and walks quickly towards the attic.

ON RUBY - She is serious.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY - NIGHTMARES PLAN

A woman stands in her back to the entrance. She wears a black top with black jeans and her hair is dark.

OFF TO PRUE - She comes in quickly. She stops as she sees the woman there.

PRUE

Who are you?

Slowly, the woman turns around and, despite the little light in the attic, there’s no doubt of who this person is; Prue.

ON PRUE - She is astonished as she realizes she is in front of her evil version.

EVIL PRUE

Missed me?

PRUE

You are not real.

ON EVIL PRUE - She smirks wickedly.

FLASHES BACK TO:

EXT. SAN FRANCISCO - DAY

Aerial shots all over the town.

The THUNDERS get worse and the sky gets cloudy.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - DAY

Wyatt is SHOOTING ENERGY BEAMS against the sky which causes the thunders to get worse.
He is putting out his rage. It seems to get worse than make him feel better. He shouts out loud.

OFF TO JO - She ORBS in surrounded by purple orbs behind Wyatt. She’s holding hands with David. Jo and David exchange glances.

DAVID

I never saw him this close.

Jo looks at Wyatt. She lets go of David’s hand and approaches Wyatt slowly.

Wyatt keeps shooting out loud and sending ENERGY BEAMS through his hands towards the clouds.

Jo can’t hide that she’s terrified. She puts a hand on Wyatt’s shoulder.

JO

Dad ---

That word comes from her mouth trembling.

Wyatt STOPS. He looks at her over his shoulder. Jo pulls back her hand as she feels the mad look in Wyatt’s eyes. She steps back as Wyatt turns around.

They look at each other without knowing what to say.

WYATT

Do you know where she is?

Jo says nothing. Of course, he had to ask about Prue.

WYATT (CONT'D)

(mad)

Do you know where she is?

Jo swallows.

JO

I might have an idea, but I can’t tell you. You need to come with us so we all can get Prue back.

Wyatt can hide his rage and shouts out loud.

JO (CONT'D)

Please, dad ---

WYATT

(out loud)

I’m not ---

He shoots her a rageful look.

WYATT (CONT'D)

--- your father.

Jo’s eyes get wet as she hears that.

WYATT (CONT'D)

I don’t know you. You’ve been lying to us all this time.

Jo lowers her gaze.

WYATT (CONT'D)

We could’ve prevented this, but you didn’t say anything.

JO

I never meant ---

She finds it hard to stare at her father knowing that the one thing she will get back is rage from him.

WYATT

You never meant? Oh, you never meant for this to happen? Well, lady, you’ve got me fooled.

Jo looks at him.

JO

You just have to listen to me. I will tell you everything.

WYATT

(out loud)

I don’t want to know.

(pauses)

I just want her back and I want you out of our life once it happens.

That said, Wyatt ORBS out. Jo lowers his gaze unable to hold the tears that come out her eyes. David approaches her and hugs her from behind.

DAVID

He didn’t mean that. He is just desperate because he can’t find your mother, but he didn’t mean it.

Jo pulls away from David.

JO

Yes, he did. She’s the only one that matters for him.

DAVID

He doesn’t know you, Jo.

Jo turns to David.

DAVID (CONT'D)

For him, his daughter is a few weeks old baby and not a twenty-five years old woman.

Jo knows that what David is saying makes sense.

JO

You are right. I’m just afraid that he never gets to know me.

David approaches her and hugs her tightly.

DAVID

He will.

Jo sinks her face in David’s chest as she cries hard. He holds her as strong as he can.

CUT TO:

INT. UNDERWORLD - TUNNELS - DAY

Melinda, Bianca, and Matt walk down the never-ending tunnels. They seem desperate.

MELINDA

I’m starting to think that he is not here.

BIANCA

I’m sensing that neither is Prue.

MATT

I’m sure aunt Prue is not here. She’s probably at Prescott Manor.

Both Melinda and Bianca stop and stare at Matt.

BIANCA

Why didn’t you say that sooner?

MATT

Because there’s no point in getting there. That’s the most secure place that ever existed.

MELINDA

What do you mean?

MATT

That’s where aunt Prue and uncle Wyatt live. In my time. That manor and Prescott Group is where all things happen. Breaking into those places is impossible.

MELINDA

It’s not. Not yet.

BIANCA

Mel is right. So far, that’s the Red Witch’s home.

MATT

But I do believe she took some measures to keep it safe anyway.

MELINDA

Matt is right.

BIANCA

So, there’s no way to get Prue back?

MATT

We just have to make sure she doesn’t get to Wyatt before we explain everything to him.

OFF TO SOMEONE SPIRALIZING IN - Jannes appears in front of them.

They all turn to the imposing figure of the Dark Wizard.

JANNES

Thank you for saving me the trouble to get into your house.

MELINDA

You!

Melinda is about to WAVE her hands, but Jannes reaches out his right hand while holding his wand in the other.

JANNES

Wait.

Melinda stops.

BIANCA

What do you want?

MATT

Wait! You are him, aren’t you?

Jannes looks at Matt.

MATT (CONT'D)

Jannes.

JANNES

I am ---

(looks at Bianca and Melinda)

--- And I want to help you get your dear Prue back.

MELINDA

Why would we believe you?

JANNES

Because I want the same thing you do.

They stare at each other.

JANNES (CONT'D)

I want to stop Ruby.

Melinda, Bianca and Matt exchange glances.

JANNES (CONT'D)

If you trust Prue’s instinct, know that she trusted me. We had a deal.

BIANCA

Prue wouldn’t make a deal with you.

JANNES

Wouldn’t she? It wouldn’t be the first time she does deals with the other side. The difference this time it’s that we are on the same side here.

MELINDA

What was the deal?

JANNES

I would give her a name if she found the Red Witch’s equal.

MELINDA

Equal?

Melinda pretends she doesn't know what he's talking about.

JANNES

The only one able to defeat her.

Melinda and Bianca exchange glances.

BIANCA

Do you mean the White Witch?

Jannes nods.

MELINDA

We’ve found her. Well, she found us.

BIANCA

Mel ---

Melinda looks at Bianca.

MELINDA

I trust Prue.

Melinda looks at Jannes.

MELINDA (CONT'D)

(to Jannes)

And if she decided to make a deal with you then, I’m game.

Jannes smiles.

MELINDA (CONT'D)

The equal is at the manor.

JANNES

Then, we have work to do.

Bianca whispers to Melinda.

BIANCA

Are you sure about this?

Melinda nods. She looks at Matt.

MELINDA

Let’s go.

Matt nods. Melinda turns to Jannes.

MELINDA (CONT'D)

Meet us at home in half an hour.

Jannes nods. Bianca touches Melinda’s shoulder and SHIMMERS out. Matt takes a look at Jannes and then ORBS out.

ON JANNES - he is serious.

FLASHES TO:

INT. HALLIWELL MANOR - ATTIC - DAY - NIGHTMARES PLAN

Prue and her evil self are standing before each other. Both of them holding her gaze to the other.

PRUE

You are not real.

EVIL PRUE

I’m so real. I live inside of you and you know it. You recognize me.

PRUE

No. I’ve shut you down.

EVIL PRUE

Yes, you have, but it doesn’t mean I cease to exist.

PRUE

You can«t take over.

Evil Prue laughs wickedly.

EVIL PRUE

C’mon, Prue. You know the dangers out there. You know that it would be easy to end it all.

Prue shakes her head.

EVIL PRUE (CONT'D)

We have enough power to end all things that do not good to us.

Prue keeps shaking her head. She tries not to listen to her.

EVIL PRUE (CONT'D)

To our family.

PRUE

Not. There’s another way.

EVIL PRUE

No, there’s not. If we don’t do something, we’ll lose our family for evil.

PRUE

You are evil!

EVIL PRUE

But we want the same thing.

(pauses)

To protect our family.

PRUE

I am capable of protecting my family.

EVIL PRUE

You are weak. Let me take over.

PRUE

(decided)

NEVER!

And just like that, Evil Prue WAVES her hands and sends Prue flying across the room. Prue hits some shelves and falls down the floor. She looks at her evil self as she tries to stand.

PRUE (CONT'D)

I won’t let you take over. You might hurt me all you want.

EVIL PRUE

I don’t want to hurt you, Prue. We are the same. I just want you to let me take over.

PRUE

I said, NEVER!

Prue WAVES her hands to use her powers against her evil self, but ---

They don’t work. Prue looks astonished at her own hands. She is confused.

PRUE (CONT'D)

What ---?!

EVIL PRUE

You are too weak, Prue.

PRUE

No.

Prue gets desperate.

EVIL PRUE

Let me take over.

PRUE

No.

Her eyes get wet.

EVIL PRUE

Let me take over and make things better, Prue.

PRUE

No.

Prue grabs her temples.

EVIL PRUE

I can protect our daughter; Tina.

PRUE

No.

Prue can hold the tears that run down her face.

PRUE (CONT'D)

I can’t.

A BRIGHT GOLDEN TIE starts surrounding Prue and tying her strongly.

Prue looks at it surprised. She can’t move. The tie holds her strongly.

EVIL PRUE

You are too weak, Prue. Let me take over. I can make things right.

PRUE

No.

Prue closes her eyes, still trying to stop listening to the words of her evil self.

EVIL PRUE

I have enough power and no regrets. I can protect our Tina.

PRUE

No, no.

Prue keeps her eyes closed trying to mentally fight her evil self. And she remembers ---

FLASHES TO:

INT. HALLIWELL / COOP MANOR - PRUE’S BEDROOM - NIGHT (MEMORY)

She remembers of a memory from her childhood.

Her mother is with her, sitting in the bed.

PRUE

I’m afraid, mummy.

Phoebe takes a deep breath.

PHOEBE

Repeat after me. I am light, I am made of light.

PRUE

I am light, I am made of light.

The images start fading away.

FLASHES BACK TO:

INT. HALLIWELL MANOR - ATTIC - DAY - NIGHTMARES PLAN

Evil Prue walks around Prue who keeps her eyes closed.

PRUE

I am light. I am made of light.

EVIL PRUE

--- weak. You have not enough powers. Let me take over.

PRUE

I am light. I am made of light.

EVIL PRUE

Let me rule and make things better.

Prue keeps repeating.

PRUE

I am light. I am made of light. I am light. I am made of light. I am light. I am made of light.

Evil Prue realizes that the ties are getting weaker.

EVIL PRUE

No.

PRUE

I am light. I am made of light. I am light. I am made of light.

Evil Prue steps back. The ties get weaker and weaker.

PRUE (CONT'D)

I am light. I am made of light.

Prue tries to get lose of the ties ---

PRUE (CONT'D)

I am light. I am made of light.

And the ties disappear completely. Prue looks around and she is free. She turns to her evil self. Her look is different. Decided.

PRUE (CONT'D)

I am not weak. I am made of light.

Prue WAVES her hands and this time her powers work and she THROWS Evil Prue flying across the attic. She falls on the floor and as she tries to stand, the ties appear once again, but this time they surround Evil Prue, tying her strongly.

At that moment, everything starts FADING OFF.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - DAY

ON PRUE’S EYES - They pop open.

Prue gets immediately into a sitting position. She looks at the red-hooded figure before her; Ruby. Ruby is astonished looking at Prue. She wasn’t waiting for that outcome.

PRUE

I won’t turn evil.

RUBY

Serena!

Prue immediately feels strong energy pulling her out of that room. The energy drags her quickly out.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - CELL - DAY

Aisling is pacing the place.

Prue is dragged inside the cell by the energy. She is astonished.

CUT TO:

INT. PRESCOTT MANOR - DUNGEONS - RED ROOM - DAY

ON RUBY - She shouts out loud. Rageful.

Serena stares at her from behind.

SERENA

What happened?

Ruby turns around to face Serena. Her eyes are red with rage.

RUBY

She fought it back.

SERENA

She fought her evil side and won? Wow. It’s true, then. She’s one of the most powerful witches that ever walked on Earth.

RUBY

Are you admiring her?

SERENA

Sorry, darling. She must be admired.

RUBY

I was too close.

OFF TO PERI AND PATIENCE - They walk into the room.

PERI

What happened? We saw mum being dragged by some invisible source into the cell.

SERENA

Ruby’s plan has failed.

RUBY

(mad)

It hasn’t failed.

They all look at Ruby.

RUBY (CONT'D)

I still have a plan B.

SERENA

How are you going to get Wyatt without Prue? I thought the idea was that once Prue was evil, she would get Wyatt.

RUBY

Well, I guess I chose the wrong Twice Blessed Witch.

Ruby walks out of the room quickly. Serena turns to the twins.

SERENA

It was supposed to be easy.

Serena walks out of the room. Peri turns to Patience.

PERI

We must talk to her.

PATIENCE

She doesn’t even know who we are.

PERI

We are her daughters. She has to listen to us otherwise there won't be a we.

Both twins stare at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. PRESCOTT MANOR - DUNGEONS - CELL - DAY

Prue stands astonished. Aisling looks at her.

AISLING

What happened?

PRUE

She failed.

Aisling is surprised.

AISLING

Do you mean ---?

PRUE

She failed at turning me evil. I resisted. I fought back.

AISLING

Good. That’s good.

PRUE

Yeah, now I just need Wyatt to find out everything and we can get the White Witch to defeat her.

AISLING

It’s not that simple, Prue.

PRUE

What do you mean?

AISLING

Ruby has a plan B.

PRUE

There’s no plan B. I was her best option and she failed in turning me evil.

AISLING

The plan was never to get you to turn evil, Prue. Not you alone.

Prue doesn’t understand.

AISLING (CONT'D)

It is terrifying indeed having your evil self walking freely out there, but your evil self is not enough to turn this world into an evil one.

PRUE

What ---?

Something pops into Prue mind.

PRUE (CONT'D)

You mean ---

AISLING

Twice Blessed Witches, Prue. There’s two.

Prue stares at Aisling.

AISLING (CONT'D)

She’ll try with Wyatt. You both are two half of the same coin and only the two of you together have power enough to turn this bad world into an evil one.

Prue turns around giving her back on Aisling.

PRUE

That won’t happen, Oracle. Wyatt never feared his own evil side. Not like I do. He is hope, light.

Prue turns to Aisling.

PRUE (CONT'D)

He will fight it just like I did. It would be easier for him.

AISLING

Are you sure?

PRUE

I know Wyatt.

AISLING

Well, tell me, is the Wyatt you know now, not the one you’ve known for your whole life, the one you know now, is him capable of anything to protect those he loves?

Prue is thoughtful.

AISLING (CONT'D)

The Wyatt you lived with for the past months, is him capable of setting the world on fire if it meant to protect you and your baby?

Prue looks at Aisling.

PRUE

My God.

AISLING

Yeah, we are doomed.

ON PRUE - She is serious and fearful.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

AERIAL SHOTS all over the town as the moon appears on the sky.

CUT TO:

EXT. PRESCOTT MANOR - NIGHT

STOCK.

CUT TO:

INT. PRESCOTT MANOR - MAIN ROOM - NIGHT

ON RUBY - She's looking herself in the mirror as she puts some red lipstick on. Her hair is down. She finishes applying the lipstick and stares at her image in the mirror.

Ruby is wearing a short red dress. She turns around to face Serena who’s staring at her.

RUBY

I really hope this lipstick does the trick.

SERENA

Don’t worry. I’ve used it in the past and it was the fatal ingredient to get men on my hands.

Ruby smirks. She puts the lipstick on the dressing table and takes her mobile phone. She dials a number and waits until it gets answered.

RUBY

I need you to do me a favor.

As she finishes talking, someone appears.

OFF TO A WARLOCK - The man BLINKS in.

Ruby and Serena stare at him while his face is not shown to the camera.

RUBY (CONT'D)

Get Melinda distracted and so her family.

ON THE WARLOCK. BEAT. This Warlock is not other than LIAM himself, Melinda’s boyfriend.

LIAM

(smirks)

I think I have something in mind.

Ruby smirks wickedly.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

Melinda, Bianca, and Matt are there as well as Blanche and Eric. Also, Chris, Tamora, and Junior are there as well.

CHRIS

Are you mocking me, Mel? Trust Jannes?

MELINDA

I’m telling you, he has nothing to do with this.

Melinda glances at Blanche. Blanche swallows and turns to Chris.

BLANCHE

It’s true. Ruby’s target is me. I don’t know much about Jannes, but I do believe he has nothing to do with this.

CHRIS

He’s been trying to end us for the past months, Dr. Dubois.

BLANCHE

Blanche.

CHRIS

Blanche, whatever.

Chris stares at Blanche.

CHRIS (CONT'D)

I can’t believe you are a witch.

TAMORA

Not any witch.

Blanche lowers her gaze.

JUNIOR

Now we understand why the orbs in the delivery room where not seen by the nurses.

BLANCHE

I just gave them a potion moments before entering the delivery room.

CHRIS

I see.

(pauses)

Still. I’m not willing to let that Wizard getting into this house.

MELINDA

Well, I am.

Melinda takes a deep breath and approaches her brother.

MELINDA (CONT'D)

He had the chance to hurt me, Bianca and Matt down there, but he didn’t.

TAMORA

Maybe he wants to take us all down at once.

MELINDA

I’m willing to take the risk.

Melinda glances at them all.

MELINDA (CONT'D)

Please.

She looks at Chris who looks her back. Chris gives in.

CHRIS

Fine.

Bianca walks towards one of the crystals and takes it out turning off the protection around the house. Immediately ---

OFF TO - JANNES SPIRALIZING IN. Jannes is holding his wand in his right hand. They all stare at him.

JANNES

Thank you.

Jannes looks at Melinda and shoots her a thankful look.

CHRIS

You better make it worthy or else ---

JANNES

Or else?

Chris and Jannes stare at each other.

JANNES (CONT'D)

You don’t have enough powers to hurt me, boy.

CHRIS

I’m not a boy. I’m a Destined One.

JANNES

Still. Besides, I don’t want to hurt you.

CHRIS

You fooled me well for the past months.

JANNES

I admit I made a mistake. I should have come to you waving my white flag sooner.

BLANCHE

Do you know Ruby?

Jannes turns his gaze towards her. He forces a smile.

JANNES

She was the daughter I never had and the big mistake of my life.

(pauses)

I’ve suffered betrayal in the past, but what Ruby did to me hurt me the most.

MELINDA

What did she do to you?

JANNES

I found her when she was locked in that tower ---

(looks at Blanche)

--- You put her in.

BLANCHE

No one was supposed to find her.

JANNES

No one is something I am not.

BLANCHE

Right, you are the Black Wizard.

JANNES

(smiles)

I am a Wizard, I never agreed with the black in the name.

MELINDA

Why did you release her?

JANNES

Because I believed in second chances. She was powerless after all. And I could teach what I knew to her and make her understand that a change was possible.

BLANCHE

Ruby was born with a dark soul.

JANNES

I knew that, but I thought I could help her change.

(pauses)

I was wrong. She is the evil impersonated.

MATT

What happened?

JANNES

(smiles; lowers his gaze)

She copied my powers.

Jannes looks at his wand.

JANNES (CONT'D)

A Wizard’s hand is the most personal item we carry and it’s only made to be held by the owner. 

(looks at them)

But she was attracted to it.

BLANCHE

Ruby held your wand?!

Jannes nods.

JANNES

She regained some of her powers and got some new ones.

BLANCHE

When was that?

JANNES

A few centuries ago.

JUNIOR

But she only appeared now.

JANNES

Well, why would she appear before? There was not enough darkness in the world. She couldn’t risk a confrontation with her equal.

Jannes looks at Blanche.

BLANCHE

Until Darkness itself was released.

Jannes nods.

MELINDA

What has Darkness to do with this?

JANNES

Everything.

BLANCHE

She must have felt there was a chance for her to regain power.

JANNES

Exactly. Her powers came back to the fullest and she was ready to join Darkness when ---

MELINDA

Darkness was defeated.

JANNES

By Wyatt and Prue.

CHRIS

The most powerful beings on Earth.

Chris starts pacing the room.

CHRIS (CONT'D)

The Twice Blessed Witches.

(turns to them)

The biggest power that has ever walked on the face of Earth.

JANNES

There’s not a life they live that doesn’t have some sort of special impact, but since their first life, this one is the most powerful one.

CHRIS

Because of who they are. Because of the prophecy.

Jannes and Chris stare at each other.

CHRIS (CONT'D)

They could be the end of the World if they want it to.

JANNES

Exactly.

CHRIS

Fiona told us that a long time ago.

MATT

Who’s Fiona?

BIANCA

An Elder, son.

JANNES

Ruby knows that.

BLANCHE

For her to win, she needs the World to be not only ruled by evil but to be evil.

BIANCA

But no one can change what’s in people’s hearts.

TAMORA

Yeah, it’s not that easy to turn the World evil.

BLANCHE

Evil lives in people’s hearts.

JANNES

Only the strongest ones will resist its command.

TAMORA

We are screwed.

MELINDA

No, we are not. We need Wyatt to bring Prue back to light.

JANNES

You need to do it fast. Ruby will stop at nothing.

BLANCHE

He’s right. I still have in my memory what she did to our entire village.

JUNIOR

That bad, huh?

Blanche nods.

ERIC

I’m sorry to get in the middle of this magic conversation, but what about humans?

Jannes looks at Eric.

JANNES

No one is safe.

Eric swallows.

OFF TO - Jo ORBS in bringing David. Cassandra and Charlotte BEAM in while Damon SHIMMERS in. Pandora ORBS in.

JO

We found him in the G.G. Bridge but lost his track.

They all look at Jo. They newcomers realized Jannes presence.

DAMON

What’s going on?

CHARLOTTE

Who’s this character?

MELINDA

This is Jannes.

CASSANDRA

(surprised)

The Wizard?

PANDORA

Why are we not vanquishing him?

Chris looks at Jannes.

CHRIS

Because apparently, he’s on our side now.

JO

Can somebody explain what’s going on?

Jo looks at Blanche.

JO (CONT'D)

Dr. Dubois? What ---?

MELINDA

She’s Ruby’s equal and the key to vanquishing Ruby. Well, that if we can stop Prue and Wyatt from becoming evil.

SOUND - DOORBELL.

BIANCA

Who is it now?!

CHARLOTTE

I’ll get it.

Charlotte leaves the room.

CHRIS

(to Jannes)

Do you know where is Prue?

JANNES

She’s at Prescott Manor. Serena is helping Ruby.

JO

Just like my twin sisters.

MELINDA

Serena?

TAMORA

Isn’t that ---?

MELINDA

The freaking witch that once stole our powers.

TAMORA

That one.

CHARLOTTE (O.S.)

Mel?

Melinda rolls her eyes. She walks out of the room.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - NIGHT

ON CHARLOTTE - She is surprised.

OFF TO MELINDA - She comes from the conservatory room.

MELINDA

What is it?

Melinda stops as she sees what’s in front of her.

OFF TO LIAM - He is on his knees holding a small ring box.

ON RING BOX - A ring with a big diamond stone is in there.

Melinda is astonished.

OFF TO DAMON - He comes from the conservatory room and stops as he sees the scene.

LIAM

(smiling)

Mel, I love you more than anything.

Melinda is open-eyed.

MELINDA

Liam, what are you ---?

LIAM

Would you marry me?

ON MELINDA - She is astonished.

ON DAMON - He looks seriously at Melinda.

ON LIAM - He smiles.

CUT TO:

INT. HALLIWELL MANOR - WYATT AND PRUE’S BEDROOM - NIGHT

The lights are turned off. Wyatt ORBS in and glances around.

WYATT

Where are you, Love?

He seems to be in pain.

OFF TO - Someone approaches him from behind. A woman, with a short red dress and long dark hair.

The woman approaches Wyatt slowly and hugs him from behind.

Wyatt is surprised, he turns around and ---

BEAT. The woman looks like Prue. Her lips as red as blood.

WYATT (CONT'D)

Prue?

Looks like Prue, but it certainly isn't Prue.

PRUE / RUBY

I’m right here, darling.

Wyatt takes her face between his hands.

WYATT

I thought I’ve lost you.

PRUE / RUBY

You’ll never lose me. I’m yours entirely and for eternity.

Their lips are inches from each other until ---

THEY KISS, passionately.

CUT TO:

INT. HALLIWELL MANOR - CONSERVATORY ROOM - NIGHT

They are still there, but Melinda, Charlotte, and Damon.

Jo feels something.

JO

He’s here.

Chris looks at her.

JO (CONT'D)

My father.

Chris nods. Jo and Chris run out of the room quickly.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - NIGHT

ON MELINDA - She’s in shock staring at Liam and the ring.

MELINDA

I don’t know ---

Charlotte is astonished looking at them. Damon is serious.

OFF TO JO AND CHRIS - They come from the conservatory room running upstairs.

Melinda, Damon, Charlott, and Liam look at them.

MELINDA (CONT'D)

What’s going on?

Matt and Bianca come from the conservatory room.

BIANCA

Wyatt is upstairs.

Melinda turns to Liam.

MELINDA

(to Liam)

I’m sorry. Family emergency.

Melinda runs quickly upstairs.

Liam seems confused. He stands.

CUT TO:

INT. HALLIWELL MANOR - WYATT AND PRUE’S BEDROOM - NIGHT

Wyatt and the woman he believes is Prue keep kissing each other.

OFF TO THE DOOR - It FLIES open. Jo and Chris stand there.

Wyatt and Prue / Ruby stop kissing and turn to face Jo and Chris. Something seems different in Wyatt, almost as if he is drugged.

JO

Mum?

Prue / Ruby smirks. Melinda approaches Jo and Chris.

CHRIS

Wyatt, step away from Prue.

Wyatt looks at Prue / Ruby.

WYATT

She’s the only one that matters, Chris.

Wyatt looks at Jo, Chris and Melinda.

WYATT (CONT'D)

I’ll do whatever she wants me to.

JO

No, dad.

PRUE / RUBY

It is too late, now.

Prue / Ruby looks at Wyatt and kisses his lips.

PRUE / RUBY (CONT'D)

(to Wyatt)

Take us out of here.

JO

No, dad.

Wyatt looks one last time to them as well as Prue / Ruby.

PRUE / RUBY

Evil always win.

Wyatt ORBS out taking Prue / Ruby with him.

JO

NO!

ON JO’S FACE - Desperation is all over it.

Chris and Melinda exchange glances. They are astonished.

JO (CONT'D)

I told you. She takes him.

Jo falls down her knees, desperate. She starts crying hard.

ON JO - Tears run down her face with intensity.

CUT TO BLACK.

END OF THE EPISODE